© Mimmo Rubino aka Rub Kandy
mimmorubino.com
1-16 Dots
17-25 Burnable
Digital print on paper series of 10.
Starkart Gallery, Zurich, March 25 2012
Visualizzazione post con etichetta zurich. Mostra tutti i post
Visualizzazione post con etichetta zurich. Mostra tutti i post
25 flags
25 flags
© Mimmo Rubino aka Rub Kandy
mimmorubino.com
1-16 Dots
17-25 Burnable
Digital print on paper series of 10.
Starkart Gallery, Zurich, March 25 2012
© Mimmo Rubino aka Rub Kandy
mimmorubino.com
1-16 Dots
17-25 Burnable
Digital print on paper series of 10.
Starkart Gallery, Zurich, March 25 2012
Rub Kandy - Almost Ready
Almost Ready © Rub Kandy
Spontaneous design sculptures | Thinking positive | The fabulous b-side of Industry | Almost Ready Made...
How to:
1- Walk on the street and pick up the useless polystyrene packages.
2- Fill up the packages with concrete and wait it dries.
3- Remove polystyrene.
4- Admire the charm of spontaneous design sculptures.
June 2015, Gallery Limited Contract, Zurich
Installation view
Process, street
Process, home-factory
Mood
Curated by Nadja Baldini and Beat Huber
with Stefano Benini
Spontaneous design sculptures | Thinking positive | The fabulous b-side of Industry | Almost Ready Made...
How to:
1- Walk on the street and pick up the useless polystyrene packages.
2- Fill up the packages with concrete and wait it dries.
3- Remove polystyrene.
4- Admire the charm of spontaneous design sculptures.
June 2015, Gallery Limited Contract, Zurich
Installation view
Process, street
Process, home-factory
Mood
Almost Ready, Zurich, June 26th
"Almost Ready" Rub Kandy in Zurich,
c/o "Limited Contract" curated by Nadja Baldini and Beat Huber.
eggnspoon.ch
INVOLVEMENT REQUIRES PERCEPTION
see you in Zurich tomorrow...
Exhibition: March 7–27, 2015
In order to expose the broad scope of ways, motivations and pay-offs of getting involved with contemporary art, the Postgraduate Programme in Curating has invited eleven project spaces and curatorial teams to the Gasthaus zum Bären in Zurich.
Each curatorial initiative is given one of the eleven rooms at the Gasthaus zum Bären. Each of them will elaborate their approach in dialogue with an art work. The term “art work“ is understood in a broad sense, stretching from objects to social sculptures and other experimental formats. All eleven participants are self-organized and as part of the exhibition are asked to provide an insight on how they run.
The participating artists include:
OPENING: FRIDAY, MARCH 6, 6PM
INVOLVEMENT REQUIRES PERCEPTION
ELEVEN WAYS TO GET INVOLVED WITH ART AND SOCIAL SPACE
Exhibition: March 7–27, 2015
Opening: Friday, March 6, 6pm
Round Table: Friday, March 27, 8pm
Opening hours: Thursday – Sunday, 2–6 pm
Gasthaus zum Bären/Museum Bärengasse, Zurich
11 project spaces – 11 art works – 11 ways
In order to expose the broad scope of ways, motivations and pay-offs of getting involved with contemporary art, the Postgraduate Programme in Curating has invited eleven project spaces and curatorial teams to the Gasthaus zum Bären in Zurich.
By reversing the evocative slogan of artist Antoni Muntadas Perception Requires Involvement, the exhibition title aims to allude to the close relation of social awareness, knowledge production and image circulation. The intention is to show various ways by which the discussion of topics relevant for today’s society is translated into the sphere of contemporary art and back.
Each curatorial initiative is given one of the eleven rooms at the Gasthaus zum Bären. Each of them will elaborate their approach in dialogue with an art work. The term “art work“ is understood in a broad sense, stretching from objects to social sculptures and other experimental formats. All eleven participants are self-organized and as part of the exhibition are asked to provide an insight on how they run.
The participating project spaces include:
100plus (Zurich, CH), bblackboxx (Basel, CH), CENTER (Berlin, D), DIENSTGEBÄUDE (Zurich, CH), eggn’spoon (Zurich, CH), Gasconade (Milan, I), HACIENDA (Zurich, CH), LULU (Mexico City, MEX), Raum № (Bern, CH), SALTS (Basel, CH), VACANT (Tokyo, JP)
The participating artists include:
Copa & Sordes, bblackboxx no border academy,
Clémence de La Tour du Pin, Mathis Gasser, Colin Guillemet, Beat Huber, Aron Kullander-Östling, Antoine Renard, Mimmo Rubino, Jonas Schnyder, Rosalie Schweiker, et al.
Clémence de La Tour du Pin, Mathis Gasser, Colin Guillemet, Beat Huber, Aron Kullander-Östling, Antoine Renard, Mimmo Rubino, Jonas Schnyder, Rosalie Schweiker, et al.
A project by the Postgraduate Programme in Curating:
Mona Liem Adinegoro, Tenzing Barshee, Mariana Bonilla, Frédéric Bron, Francesca Brusa, Cindy Hertach, Milena Isler, Raphael Karrer, Nadine Lopez, Giulia Magnani, Alejandro Mondria, Cordelia Oppliger, Atalja Reichlin, Carolin Reichmann, Anja Soldat, Eleonora Stassi, Franziska Stern-Preisig, Makiko Takahashi
Concept by: Dorothee Richter and Mirjam Bayerdörfer
Flags, Zuerich, 25 march, photo report
25 flags
© Mimmo Rubino aka Rub Kandy
mimmorubino.com
1-16 Dots
17-25 Burnable
Digital print on paper series of 10.
Zurich, March 25 2012
starkart gallery
the more you waved flags, the more you burn flags...
![]()
© Mimmo Rubino aka Rub Kandy
mimmorubino.com
1-16 Dots
17-25 Burnable
Digital print on paper series of 10.
Zurich, March 25 2012
starkart gallery
the more you waved flags, the more you burn flags...
Dada never die! Today I love Stefano Akarus Benini
Portrait of Akarus, Rub Kandy,
Zuerich March 1/2012 starkart gallery
____________________________________________
one video from Akarus Youtube Channel
3-31 March, Brauerstrasse 126 Zurich
Sweet Art
3 - 31 März 2011
Eine Gruppenausstellung mit 31 Künstlern in 13 Räumen.
Vernissage: 3 März 18 Uhr / Finissage: 31 März 19 Uhr
C-liNe, Safu, Stefano Bennini, Recal, Dominika Lehocka, Fake, Santa Mancilla, M8, Taina, Miel Krutzmann, Fons, El Bocho,
Daan Dirven, Elf, Telmo Pieper, Thierry Furger, Daniel Oosterman, John Outburner, Nicolas Kristen, Holgersen, Mimmo Rubino,
Mord, Nastasja Breny, Silis, Martin Gut, Phase, Thomes Hurter, Gabriela Domeisen, Koolkat, Dr. Drax, Mareike Spalteholz
Öffnungszeiten: Do / Fr 17- 19, Sa 14 - 19 Uhr
http://starkart.ch/exhibitions/2011/sweet-art/artists-2/
http://www.facebook.com/event.php?eid=163659127017379
march 2010
Mimmo Rubino, “1 March, a day without us", March Image for eggn'spoon 2010 calendar. A project by Nadja Baldini, Luzia Davi, Beat Huber, Zurich
Mimmo Rubino, DELETE, Zurich 4 March/23 April
Vi aspetto tutti in Brauerstrasse, la via più bella di Zurigo, prima per la mia mostra, poi per un tost e una birra al bar brasiliano, baci
EINLADUNG
Herzliche Einladung zur Vernissage am 4 März ab 18 Uhr,
in den STARKART Ausstellungsräumen an der Brauerstrasse 126 in 8004 Zürich.
Für geladene Gäste ist der Eintritt frei. Ein Apéro wird offeriert.Sound und Bewegung: Honza, Dj Koolkat, Linaz, C.f.s. & the evil birdmask et al Svetlana Hansemann, Anna Cholinska, Jakob Degler, Gabriela Domeisen,Marco Spitzbarth, Carol May, Kengo Shirai, Kazusuke Yamada,Mimmo Rubino, Yaeka Tabara, Hitomi Suzuki, Koolkat, Masato Mizutani,Mareike Spaltenholz, Linaz, Hatsuko Mizukami, Tarek Ben Yakhlef,Vincent Pompetti, Anna Katharina Kreysing, Nastasja Breny,Kathrin Kirchherr, Kayo Onozuka, Isabella Fürnkäs, Teruyuki Omine,Haruka Shima, Maya Wipf, Lucilla Trapazzo, Sign E One,Eliane Hürlimann, Amelie Schüle, ZanRé, Melanie Kistler, Alex Herter,Pe Lang, Michael Koritschan, Naoki Tomita, Gen Atem, Honza,Nicolas Kirsten, C.f.s. & the evil birdmask et al, Kevin
AeschbacherVernissage 4 März ab 18 Uhr Open End / Finissage 23 April ab 18 UhrÖffnungszeiten: Do/Fr 17- 19 Sa 14 - 19 Uhr und nach Vereinbarung
Starkart Exhibitions
Brauerstrasse 126 8004 Zürich
Mobile +41 (0) 78 761 69 27
11-12-13 Settembre, Mimmo Rubino, ZURIGO "Walk on the Light Side"
Dunque: Ci vediamo tutti a Zurigo, Zurigo ovest, nella via che collega Pfingstweidstrasse a Duttweilerbrücke. Troverete una fila di lampioni, uno molto vicino all'altro, uno diverso dall'altro. Sono tutti i lampioni che ci sono a Zurigo, la compagnia elettrica cittadina EWZ usa la via come test di prova. Ogni lampione è affidato ad un artista, tra questi, ci sono io.
Walk on the Light Side
An Illumination Project in Public Space
September 11/12/13, 2009 in Zurich West
Walk on the Light Side is an illumination project in public space. 18 artists present their site-specific works in a curved road marked by 22 street lamps. The well illuminated outdoor showroom situated in the middle of Zurich West serves as an ideal place to induce thinking about illumination and abysses.
The exhibition Walk on the Light Side will be open on the 11th, 12th and 13th of September and will take place in an access road between Duttweiler bridge, Migros- Herdern and the EWZ premises. Along this road, all types of city street lamps are lined up in short intervals. The EWZ uses the alley as a model garden and test track to examine the suitability of the various lamps for daily use. Every evening at nightfall the lamps are switched on along with the remainder of the municipal lighting. In individual succession and variation they produce the entire luminance range which is normally used to light up separate parts of the city. In this inhospitable environment, the collective memory of the various public space illumination concepts – be it at Rietberg park or under Hard bridge – presents itself.
The idea to elevate light itself to an exhibition space whilst presenting works of art is preset by the location. Zurich West is a prime example of the current urban rebuilding process: the melding of city and agglomeration, conversions, new development areas. Presented in this context, the „light curve“ becomes a pièce de résistance, a playful, free zone within the alleged wasteland. Simultaneously, Japanese artist Noritoshi Hirakawa presents his “House of Autonomy“ project. In a tent right by the curved road, an exchange market will take place: Displayed on tables, various goods such as DVD’s, clothes and computers will be offered free of charge. Conversely, visitors are invited to bring goods which they would like to give away. An alternative to monetary trade? Or simply an opportunity to give and take without any obligation?
Walk on the Light Side – an exhibition project featuring
Seline Baumgartner (CH), Solvej Dufour Andersen (CH/DK), Sonja Feldmeier (CH), Rainer Ganahl (USA/AT), Dagmar Heppner (CH/DE), Noritoshi Hirakawa (USA/JAP), Beat Huber, (CH) Anna Kanai (CH), Martin Kippenberger (DE), Isabelle Krieg (CH), San Keller (CH), Lutz&Guggisberg (CH), Fabian Marti (CH), Fabio Marco Pirovino (CH), Tanja Roscic (CH), RothStauffenberg (DE), Mimmo Rubino (IT), Marc Zeier CH) –
is presented by eggn’spoon: Nadja Baldini, Luzia Davi, Beat Huber.
Coordinate:
Preview Friday, September 11, 2009, from 7pm
19:44 performance by San Keller
Opening Saturday, September 12, 2009, from 7pm with bar, sound
by DJ Ulla + Tischlampenfieber
Open End Sunday, September 13, 2009, from 6pm
For further queries and images please contact:
eggnspoon03@gmail.com
..................................................................................
Mimmo Rubino Lampe Nr. 15, Intervention: auslöschen einer Lampe und Applikation einer Tafel mit Satz aus "Aufzeichnungen aus dem Untergrund", F. Dostojewski. Tafel: 8x7cm [intervento: Spegnimento di un lampione ed applicazione di una targa con una citazione di "Memorie dal Sottosuolo" di F. Dostojewskij].
"Was mit all diesen Millionen von Tatsachen anfangen, die da bezeugen, daß die Menschen wissentlich, das heißt bei voller Erkenntnis ihrer wirklichen Vorteile, diese doch zurücksetzten und sich auf einem anderen Weg begaben, aufs Geratewohl in die Gefahr, von niemandem und durch nichts gezwungen, als hätten sie gerade die Vorteile verschmäht und eigenwillig und verstockt einen anderen, schweren unsinnigen Weg gesucht und nahezu im Dunkeln tappend?" [Aufzeichnungen aus dem Untergrund]
Что же делать с миллионами фактов, свидетельствующих о том, как люди зазнамо, то есть вполне понимая свои настоящие выгоды, отставляли их на второй план и бросались на другую дорогу, на риск, на авось, никем и ничем не принуждаемые к тому, а как будто именно только не желая указанной дороги, и упрямо, своевольно пробивали другую, трудную, нелепую, отыскивая ее чуть не в потемках.
Записки из мёртвого дома
Walk on the Light Side
An Illumination Project in Public Space
September 11/12/13, 2009 in Zurich West
Walk on the Light Side is an illumination project in public space. 18 artists present their site-specific works in a curved road marked by 22 street lamps. The well illuminated outdoor showroom situated in the middle of Zurich West serves as an ideal place to induce thinking about illumination and abysses.
The exhibition Walk on the Light Side will be open on the 11th, 12th and 13th of September and will take place in an access road between Duttweiler bridge, Migros- Herdern and the EWZ premises. Along this road, all types of city street lamps are lined up in short intervals. The EWZ uses the alley as a model garden and test track to examine the suitability of the various lamps for daily use. Every evening at nightfall the lamps are switched on along with the remainder of the municipal lighting. In individual succession and variation they produce the entire luminance range which is normally used to light up separate parts of the city. In this inhospitable environment, the collective memory of the various public space illumination concepts – be it at Rietberg park or under Hard bridge – presents itself.
The idea to elevate light itself to an exhibition space whilst presenting works of art is preset by the location. Zurich West is a prime example of the current urban rebuilding process: the melding of city and agglomeration, conversions, new development areas. Presented in this context, the „light curve“ becomes a pièce de résistance, a playful, free zone within the alleged wasteland. Simultaneously, Japanese artist Noritoshi Hirakawa presents his “House of Autonomy“ project. In a tent right by the curved road, an exchange market will take place: Displayed on tables, various goods such as DVD’s, clothes and computers will be offered free of charge. Conversely, visitors are invited to bring goods which they would like to give away. An alternative to monetary trade? Or simply an opportunity to give and take without any obligation?
Walk on the Light Side – an exhibition project featuring
Seline Baumgartner (CH), Solvej Dufour Andersen (CH/DK), Sonja Feldmeier (CH), Rainer Ganahl (USA/AT), Dagmar Heppner (CH/DE), Noritoshi Hirakawa (USA/JAP), Beat Huber, (CH) Anna Kanai (CH), Martin Kippenberger (DE), Isabelle Krieg (CH), San Keller (CH), Lutz&Guggisberg (CH), Fabian Marti (CH), Fabio Marco Pirovino (CH), Tanja Roscic (CH), RothStauffenberg (DE), Mimmo Rubino (IT), Marc Zeier CH) –
is presented by eggn’spoon: Nadja Baldini, Luzia Davi, Beat Huber.
Coordinate:
Preview Friday, September 11, 2009, from 7pm
19:44 performance by San Keller
Opening Saturday, September 12, 2009, from 7pm with bar, sound
by DJ Ulla + Tischlampenfieber
Open End Sunday, September 13, 2009, from 6pm
For further queries and images please contact:
eggnspoon03@gmail.com
..................................................................................
1
2 
3
4
Mimmo Rubino Lampe Nr. 15, Intervention: auslöschen einer Lampe und Applikation einer Tafel mit Satz aus "Aufzeichnungen aus dem Untergrund", F. Dostojewski. Tafel: 8x7cm [intervento: Spegnimento di un lampione ed applicazione di una targa con una citazione di "Memorie dal Sottosuolo" di F. Dostojewskij].
Img 4:
"Was mit all diesen Millionen von Tatsachen anfangen, die da bezeugen, daß die Menschen wissentlich, das heißt bei voller Erkenntnis ihrer wirklichen Vorteile, diese doch zurücksetzten und sich auf einem anderen Weg begaben, aufs Geratewohl in die Gefahr, von niemandem und durch nichts gezwungen, als hätten sie gerade die Vorteile verschmäht und eigenwillig und verstockt einen anderen, schweren unsinnigen Weg gesucht und nahezu im Dunkeln tappend?" [Aufzeichnungen aus dem Untergrund]
"What is to be done with the millions of facts that bear witness that men, consciously, that is fully understanding their real interests, have left them in the background and have rushed headlong on another path, to meet peril and danger, compelled to this course by nobody and by nothing, but, as it were, simply disliking the beaten track, and have obstinately, wilfully, struck out another difficult, absurd way, seeking it almost in the darkness." [Notes From Underground]
Что же делать с миллионами фактов, свидетельствующих о том, как люди зазнамо, то есть вполне понимая свои настоящие выгоды, отставляли их на второй план и бросались на другую дорогу, на риск, на авось, никем и ничем не принуждаемые к тому, а как будто именно только не желая указанной дороги, и упрямо, своевольно пробивали другую, трудную, нелепую, отыскивая ее чуть не в потемках.
Записки из мёртвого дома
"E che cosa dovremmo farne di tutti quei milioni di fatti che stanno lì a testimoniare che gli uomini, coscientemente, e cioè rendendosi perfettamente conto di quali erano i loro autentici interessi, li hanno relegati in secondo piano e si sono messi a battere un'altra strada, a proprio rischio e pericolo, magari a caso, senza esservi costretti da nulla e da nessuno, come se proprio non volessero saperne della via chiaramente indicata, e testardamente, in piena indipendenza, se ne volessero aprire un'altra molto più difficile, assurda, che andava cercata addirittura nell'oscurità."
[Memorie dal Sottosuolo. Fëdor Dostoevskij]
"Mon project: Je pense que pour "capturer l'invisible" la meilleure chose, la plus logique c'est, peut etre, eteindre la lumière.
1- Pour ca je voudrais èteindre mon lamp et, en plus, ajouter au lamp une petite plaque où ecrir un bref concept qui explique que le but pour capturer l'invisible c'est èteindre la lumiere. Devenir soi meme invisible c'est le premier pas vers eux meme, que, peut etre, n'est pas trouvèe seulement par la ragion (dans ce propose je suis en train de rechercher une bonne phrase de Nietzsche ou autres autores qui ont traitèe ce problème).
En temp de crisi il faut regarder le monde à travers un autre lumiere, ce que ètè bien-etre maintenant c'est gaspillage et eteindre une lumiere c'est le moyen le plus simple pour le rendre visible.
2- En plus, si possible, j'amerais aussi eteindre tous le lamps chaque soir pour un minute. Dans sa naivetè eteindre et allumer la lumier c'est un act très scenographique, une forte branle. J'aime l'idèe de rejoindre trasversalement et avec discretion, l'individualitè de chaque lamp.
Dans ce moment de crisi, peut etre, nous renunceront à notre bien aimèe individualisme pour se joindre et se voir mieux. Ou, au moin, nous avrons gagnè un petit peu d'electricitè." [mimmo rubino]
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